GEN.

Using the title GEN. as the abbreviation and relationship between the words and concepts of generative and genetics, this collection of generative audiovisual works are developed through autonomous systems, code and software. Each work contains its own “artificial DNA” and is considered as a digital unit of storage and transmission of variable information, a trace of the fascinating beauty of chaos and chance.

The sound composition of each GEN. is also developed under the concept of generative music, sometimes merging processes of algorithmic composition and granular synthesis. The results of the sound structures are also related and interconnected with each GEN. giving rise to reactive properties with the sound and revealing characteristic data of each work.

The works are exposed through a monochrome landscape, with the aim of not representing something natural in a faithful way but rather to highlight its digital and neutral nature.

Thus, through the manipulation of different computerized systems for visual and sound composition, this project seeks to enhance the work of human and machine, obtaining new creative processes with uncertain and experimental results. From this series of works, viewers embark on a contemplative audiovisual exploration of dynamic digital organisms that mutate and evolve.